Exhibitions » Exhibition Archive » 2007 » Bill Hammond: Jingle Jangle Morning
Bill Hammond: Jingle Jangle Morning, installation view City Gallery Wellington, 2007. Photo: Neil Price.
Bill Hammond, Whistlers, Mothers, Sticks and Stones, 2000. Collection of J. B. Gibbs Trust.
Bill Hammond: Jingle Jangle Morning, Installation view City Gallery Wellington, 2007. Photo: Neil Price.
This survey exhibition of paintings by Bill Hammond features works from the 1980s to the current day, all sourced from private collections here and overseas. The exhibition is divided into five thematic groupings that are also largely chronological: Mix Master, Endangered Species, Zoomorphic, Limbo Ledge, Jingle Jangle Morning.
Known for his sense of humour and irony, Bill Hammond occupies a unique place in New Zealand art history, with a language and technique that is wholly his own. Bill Hammond: Jingle Jangle Morning is centred on the theme of music in Hammond’s work; the title comes from the Bob Dylan song Hey Mr Tambourine Man but is also the name of one of Hammond’s opulent paintings. A practicing musician himself, music has been a constant throughout Hammond’s career and he speaks of his paintings as being like instrumentals “laid out flat”. Curator Jennifer Hay says Hammond is inspired by the energy of performance and that his work “samples and mixes elements of popular culture in an ironic take on the world.”
Hammond is renowned for his investigation of the bird motif. He became hooked on them after a trip to the Auckland Islands with fellow artists, among them Laurence Aberhart, in 1989. Confronted with “birdland - a paradise free from predators” as he described it, he began to paint a new race of sentient bird creatures into his works.
Opening day curator's insight, Bill Hammond: Jingle Jangle Morning
Saturday 17 November
The Gordon H. Brown lecture
Friday 30 November
Lecture by Ron Brownson: W. D. Hammond's Wonderful and Terrifying Worlds
Wednesday 23 January
Lecture by Ross Galbreath: Looking for Buller
wednesday 30 January